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First Arousal
by
Julieann Nordstrom |
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I
clearly remember the day Mrs. Fisher invited me to
the symphony. Her daughter Sandy was a younger
friend of mine and they were our neighbors. When I
was over at Sandy’s I enjoyed listening to the
unusual music her mom played on the hi-fi. I asked
Mrs. Fisher what the music was called and she said
“classical.” She showed me the album cover that
showed these elegant musicians with their
instruments arrayed across a stage. They were so
beautiful and elegant
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A few weeks
later Mrs. Fisher asked if I would like to go to
the symphony with her and Sandy. She had cleared
it with my mother, since I was only 10 years old.
Words could not describe my excitement and joy. I
had never been to a real symphony.
Mrs. Fisher
told me the conductor was famous. His name was
Leonard Bernstein. She asked me if I had ever
heard of him. Feeling stupid, I said “no”. She
said that he wrote and composed the music for West
Side Story. I got excited because I had seen this
movie and I thought the story and music was so
romantic. I told her that I would love to go and I
thanked her for asking me. I hung up and couldn’t
wait for Thursday night to come.
The Fishers
were from Baltimore and they were a stunning
couple. He was very handsome and she was very
beautiful and sophisticated. They had three
children and I was over at their house at every
opportunity. There was a strong life force in
their home. I admired Mrs. Fisher and wanted to be
like her when I grew up. Not only was she
beautiful, she also had a mysterious quality about
her. I know now that she was a sensuous woman.
The big night
finally came and I walked over to their house
thirty minutes early because I couldn’t wait any
longer. I wore my pink dress that I wore to church
and it had my prettiest petticoat under it. Mother
had placed her expensive pearl necklace on my neck
because it was such an important occasion, my
first exposure to the arts. I wore soft white
gloves. My long blonde hair was braided in twin
tails down my back, tiny pink ribbons binding the
ends. I felt very pretty and special and I was
going to the symphony. |
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We drove to the
Ft. Lauderdale music hall and Mrs. Fisher placed
my ticket into my white-gloved hand. I held my
head tall as the ticket man took my ticket and
returned the stub to me. Later I would put it in
my memory book.
I felt proud to
be walking next to Mrs. Fisher, sometimes I really
wished that she were my mother. People nodded and
spoke to her, commenting on her two precious girls
as we walked down the aisle following the woman
who searched for our seats with a flashlight.
I was thrilled
to see where our seats were. They were up front.
I had never been close to a famous person like
Leonard Bernstein and I was wondering what it
would feel like. I had not seen his picture, but
I imagined him to be a serious looking man.
Suddenly, the
lights inside the theater flickered. Mrs. Fisher
leaned over Sandy and softly whispered that the
flickering meant that you had three minutes to get
to your seat. They didn’t allow anyone to walk in
after that!
The lights
dimmed, and as they did, the audience hushed. The
anticipation was building inside of me and I
clutched the sides of my chair. Everything went
dark and it was so quiet you could hear a pen
drop. I was totally unprepared for what followed.
It was like being in church before the preacher
prays. The heavy burgundy curtains started
separating, and the huge orchestra appeared. It
was four times bigger than I thought it would be.
It looked like a black and white rainbow with rows
and rows of people in dresses and tuxedos. All the
musicians looked very intelligent and composed.
These were the finest musicians in South Florida.
Everyone seemed
to be waiting for someone or something. Suddenly,
a man appeared, and began walking toward us from
the back of the orchestra. The audience began a
thunderous applause. I clapped enthusiastically
but not very loudly because I was wearing soft
white gloves. |
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As he got
closer to the podium, I had this strange feeling
in my stomach. People clapped louder. There were
whistles from the crowd. The man commanded my
attention. It felt like he looked briefly at me
when he gazed upon the audience. He had white
hair, longer than other men. Of course he was an
artist and therefore looked different. My father
would have said his hair was too long but I
thought it looked elegant. I was spellbound.
He was slim,
not very tall and he had a large nose. Something
about him sent chills up my spine. He had this
wonderful presence about him. He was magnificent
looking, important and powerful. My eyes were
fixed on him and the powerful energy he
transmitted. He bowed deep and then stood as he
threw his white hair back, flashing a smile that
electrified me. I felt as if the pink ribbons at
the end of my braids would unravel and fall off.
Then he stepped
up to the podium and turned his back to us. Mrs.
Fisher told us in the car to stop clapping when he
did this, and even if the music stops not to clap
until he turned around again. She said it was very
bad to break this rule and I wanted us to do this
right. When everyone stopped clapping immediately,
I felt like a grown up because I knew exactly what
to do.
Next he picked
up his baton and tapped it a couple of times. The
musicians sat up straight. Tension permeated the
air. They were totally focused on him as if he
were the king of a country. He calmly looked
around at each section. I thought at first they
looked afraid of him, but realized that they gazed
at him with respect. It reminded me of the sailors
on the naval base when they stood and saluted my
father. He was a Captain. |
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This man,
Leonard Bernstein, seemed like a General and was
about to lead his troops. I felt afraid for the
musicians because I knew that they would hate to
make a mistake in front of him. I would be
terrified if I were one of them. Yet I felt
excited for them too. There was something so
confident about him. He acted like he knew
precisely what he was doing.
Mr. Bernstein
was awfully somber and so, so handsome. He put his
hands up and waited a second before moving his
baton slightly. Then the music began to emerge. I
felt like a spell was being cast over me. My
insides experienced the first of many emotions I
would feel before the symphony would end that
night. I have had intense feelings when riding the
horses at the riding academy, but this was a
different kind of intensity. This was not all at
once, it was gradual.
His movements
were slow at first. He started waving his wand
gently through the air as if trying to stir some
spirits up like one of the fairy godmothers in
Sleeping Beauty. It felt like he was gathering up
forces to cast a spell. It was hypnotic watching
his entire body move in its dance with his baton,
the music growing, spinning its spell around me. I
lost any awareness that I was surrounded by
thousands of people. I started to feel like I was
the only one.
My soul started
to awaken and respond to the beauty of the notes.
I had a little fear that it captured me so
quickly. I sat up straighter to gain some
control. My ancestors are Swedish and not very
emotional, kind of stoic. My father told me to
always control myself whenever I got too excited,
something hard to do. I am emotional. I was also
told I was too sensitive, too dramatic, or too
happy. So, I struggled to keep my focus. My father
made it clear that it was shameful not to do so.
I wanted to
close my eyes. I knew I would feel it stronger,
but was too inhibited. What would people think if
I closed my eyes? They would think I was weird. So
I kept my eyes on Mr. Bernstein. Sometimes he had
his eyes closed and I was afraid that he would
forget to conduct the orchestra. But even with his
eyes closed, his body and arms kept moving and the
music matched his movements. |
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I could not
take my eyes off Mr. Bernstein. My body felt warm,
then hot as I watched him conduct with explosive
passion. His head was thrown around with total
abandon and his long white hair became wild. He
became more physical and animated. He dissolved
before my very eyes into the movement of the
notes. He played me like an instrument, and I
felt alone doing a primal act that was not proper.
The amazing thing is that he didn’t seem to care
how he was perceived moving in front of his
orchestra or audience. He just didn’t care how
exaggerated his movements were. I remained
spellbound by his intensity, passion and absence
of shame. |
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The way he
moved his arms and his body had a great effect on
the orchestra and it was like he was pulling the
notes to their limits. His boldness and his
courage made the notes leap stronger by the
second. I wanted to turn away from looking at him
as if I were naughty by looking at such a private
display of emotions.
He was so
sleek, so in control. So out of control. He would
surrender and conquer, surrender and conquer. I
surrendered all my control, as I let go of the
arms of the chair and quickly pulled my white
gloves off. It was getting too hot. He was
possessed, absolutely possessed with passion. All
emotions were coming out of him...anger, elation,
agony, joy, suffering and ecstasy. I rode this
emotional roller coaster and could hardly contain
myself. I quit fighting the storm that was growing
inside of me like a tornado. I started to enjoy
the ecstasy of the feelings and let their currents
carry me. I felt lost and forgot about that Mrs.
Fisher was with me and never even looked over to
see how she was feeling.
I could hardly
sit still in my seat. I broke out in a sweat as I
watched Mr. Bernstein expose his emotions in front
of the world. He was dripping with sweat. He was
totally abandoned. He was extreme. He was
powerful. He was consumed. I was consumed.
The control he
had was so fierce. It was electrifying, shocking,
exaggerated. He was spectacular! He made the
musicians play spectacular. I realized that this
man could make a storm and the lightning to hit
your soul. Then with his movements and his
extended arms, he could make the storm stop and
cause a gentle, fragrant breeze to blow across
you, or make everything still like the eye of a
hurricane. He made the wind of my emotions blow
through my spirit. I had to put my hand over my
mouth to silence myself. I was panting just like I
did when I would race my brother home when the
dinner bell rang.
I was reeling,
watching him and listening to the music. He
stripped me of my inhibitions. My soul started
releasing itself and I felt like thousands of
butterflies were flying inside of me. I felt
something mysterious. Tears ran down my face as
the perspiration ran down his. |
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Joy had erupted
inside of me. Leonard Bernstein was the embodiment
of every emotion I had ever known. I was at his
mercy. I wanted to worship him for making me feel
this way. I wanted to scream. I wanted to
surrender everything to this music and to this man
for this new awareness of these beautiful
feelings.
This man seemed
to con troll the universe. He controlled all. He
was god. He could make the flowers burst from
their buds. He could make liquid run down from my
eyes and pour out of all my pores. When he calmed
the tempo down, he looked weary and exhausted, as
if he was going to stop soon. I needed him to
stop. I couldn’t take much more of this intensity.
It exhausted me. I needed relief.
Yet when he got
his second wind and burst forth with renewed
vigor, my energy burst forth with him. Just one
more time, I craved. Please, just one more time. I
had to experience it one more time. I willed him
to. I wanted to climb the mountain peak again. I
was totally energized. I was ready.
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And then it all
stopped. The quiet was deafening. He still faced
the orchestra, bent over, hair all askew. He
stood, raised his head, pushed back his wet, white
hair with his hands and slowly, turned to face us.
He was drenched as if he’d been standing under a
waterfall. He didn’t care how he looked. I thought
he looked beautiful. I wanted to run on stage and
kneel in front of him and kiss his feet, but I
just looked at him with awe. Then everyone jumped
to their feet and I heard a thunderous roar,
Bravo! Bravo!
I couldn’t
stand up. I felt like I had been electrocuted. I
felt like I was coming out of anesthesia. What had
just happened in the last hour and a half? Where
was I? Mrs. Fisher pulled me to my feet as if I
didn’t know that I should be standing. I knew. I
was just too weak. I felt like I had just
disembarked from a carnival ride. My legs felt
like rubber. I stood and weakly put my two hands
together and clapped. I wanted to sit down again
but then I wouldn’t see him if I sat down.
I was in an
altered state. Mrs. Fisher was pulling my hand
behind her and she was saying something to me, but
I was too dazed to hear her. I kept turning my
head back, trying to glimpse this god that owned
me now. He was gone. I had left my white gloves
behind. |
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As I sat in the
back seat of Mrs. Fisher’s car, I could hear Mrs.
Fisher talking to Sandy who had fallen asleep
during the concert. I was in my own little world
thinking and trying to understand and figure out
what had just happened to me? I was trying to
compare it to another experience that might be
similar, but no words defined it. I needed someone
to explain to me what happened.
The feeling was
sort of close to when I would swing on the big
swings at the park. I would stand there in the
sand with my feet back as far as possible and then
jump into the seat for a good start. I would start
pumping my legs back and forth as hard as I could
until I got a good current of a rhythm that was
natural. I couldn’t lose my rhythm or it wouldn’t
work. I had to be patient and use all my muscles
to work for me instead of against me. I learned
another trick and that was breathing. It was
important to know when to breathe.
No one could
swing as high as me in my class, but my brother
could. Some of my favorite times were when we
competed to see who could get higher the fastest.
We would stand there getting ready to launch off
with our hands on the long chains and he would say
one, two, and three... and we would both leap in
the air at the same time. I learned that the first
leap was crucial in winning. Pushing and pulling,
at just the right moments was crucial. I had to
put my whole self into it or I wouldn’t win.
We got higher
and higher, and then we would look at each other
and great big smiles would break out on our faces
and then we would try not to look frightened
because the swing would start to shake from its
foundation. We would get so high that we would be
level with the top of the bar and it seemed like
one more swing and we would go over. It was
exhilarating and we wouldn’t quit because each of
us was so competitive.
We finally
slowed down after my mother screamed at us that we
were going to go over the top and kill ourselves.
I sometimes wanted to feel what it would be like
to go over the top. I wasn’t afraid of death then.
I was invincible. I tried for years and years to
go over the top but it was impossible. My brother
and I would slow down, and even though we were
still pretty high, he or I would say, one, two,
and with three we would let go of the chains and
fly threw the air, with my mother screaming at the
top of her lungs, and the one that landed on their
feet won. Most of the time, we both landed. And
then we would do it again and again unless my
mother was there.
This experience
tonight felt something like that but not exactly.
This was like my spirit was in sync with the music
and I was going higher and higher. I was soaring
tonight and I finally went over the top. Years
later, I realized the feelings that I had
experienced that night are called passion. |
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Mrs. Fisher
dropped me off at my house around 10:30 at night.
I thanked her several times and she just smiled
and said to go right to bed, I looked tired. I
walked into the house and my mother asked me if I
enjoyed my first symphony. I nodded yes. She said
that I looked exhausted and considered that she
shouldn’t have let me go out on a school night.
She pulled my
pink dress over my head and said; “It must have
been hot in there because your dress is soaked
with perspiration.” She slipped a cool soft nighty
over my head and left the room. Why didn’t my
mother ask me about the symphony, I wondered? If I
had a daughter, I would sit down with her right
away and ask her all about it.
I wanted to
tell someone what I experienced, but none of my
friends would understand. When I had excitedly
told them that I was going to a symphony they
looked at me strange and asked why. It was the
most exciting night of my life. I wanted to spend
the rest of my life with someone like Leonard
Bernstein.
I dreamt about
Mr. Bernstein that night, and for many nights to
come. I saved all my money from baby-sitting and
my allowance, and bought all his albums. I played
them when I was happy. I played them when I was
sad and hurt. I played them so I could be closer
to God. They were my connection to the passion I
felt that night.
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Leonard
Bernstein’s’ music, made me want to be a better
person. It made me want more and more out of life
and to be a better person. Sometimes I visualized
him when I listened to his records and I
remembered the many ways he moved when he was
conducting. Little tornadoes spun around in my
stomach again. Leonard Bernstein had awakened me
and he left me suspended for years and years. When
I swung really high on my swing, I came close to
him.
Everything,
compared to this experience became just ordinary.
I made a conscious decision to seek out passionate
people. would never accept anything ordinary when
there was a whole world out there with people who
wouldn’t accept ordinary either. I would find them
somehow.
I started by
reading every biography I could get my hands on
about extraordinary people, who had made a
passionate effort to impact this world. I had an
innocent, pure mind and thought kindness was the
essential ingredient to live this life in the
manner I had chosen. Kindness was the note that
soothed, and I would make every effort to produce
these notes in the midst of the passion.
At this moment,
I felt like a conductor, in command, ready to
orchestrate. Nothing coming my way would be less
than a symphony. Little did I know what loomed
ahead could be so discordant. Noise came. It
gathered, like a score of sour notes, bringing
pain to challenge my innocent mind, and attempt to
rob me of my desires. At times it would become
piercing, so loud and deafening, I would want to
cover my ears. But, like Mr. Bernstein, I would
find a way to bring forth meaning from the
cacophony.
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Not too long
ago I came into the cottage where I now live,
exhausted from a days work as a professional
photographer. I had been riding my horse Gypsy,
galloping along side my subject, capturing their
moments with my Nikon camera. I had worked hard to
get those images. We leaped up hills, crossed
streams, and I had to kick Gypsy into going
through some thick brush, all to get to the edge
of a big ridge to position myself for the perfect
shot of my client riding across the meadow with
his grandsons next to him, just like a scene in
Legends of the Fall.
It was gorgeous
that day. As usual, I did not consider the danger
of working with a beast beneath me as I focused my
camera. I was confidant that she would hold still
so that I could let go of the reins, reload and
get the pictures I wanted. While working, I would
not think of the risks; however, I would later
find myself drained from the effort. I could
hardly walk to the bathroom to get to a long hot
shower.
As I pulled my
ponytail holder off and my hair went wild, I began
questioning the value of my life, given the
anonymity of the work I do. In this
condition, despair could come for a visit. It
could spring upon me as it has in the past. I bent
over the sink and rinsed my hot face and looked
into the mirror. There I saw him. Leonard
Bernstein.
Then it hit
me……I have endured pain. I may not be famous, but
I am an artist, like him and just as important. I
am responsible for the results of a photo shoot. I
am the one controlling horses, people and, believe
it or not, the weather, all to capture and share
the essence my art brings forth from a moment. I
am an original. I am intense. I am brilliant. I am
powerful. I am a creator. I am god like. I
orchestrate my life.
No longer will
pain drown out the melody of my soul. I then
resolved to continue my symphony with passion and
boldness until the last note. |
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"In the
beginning was the Note, and the note was with God;
and whosoever can reach for that Note, reach high,
and bring it back to us on earth... and to the
extent of his reach, partakes of the divine." |
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